Genre: Crossover2018/2019
TN

‘The best way to rob a bank, is to own one’ — William Crawford, Commissioner of the California Department of Savings and Loans.

Belgiske Ontroerend Goed inviterer dig til at komme under huden på den 1% super rigeste del af menneskeheden. Dem der trækker i trådene, ansigterne vi aldrig ser.

På en aften, kan du sætte dig i deres stole. Du styrer retningen. Du er lige midt i det økonomiske system.

Og hvem ved, måske gør du verden til et bedre sted? Langt mere fair, mere ansvarlig, fordi du vil gøre tingene anderledes – helt sikkert. Eller vil du?


Medvirkende

Cast:

Joeri Smet

Angelo Tijssens

Karolien De Bleser

Samir Veen

Hannah Boer

Aurélie Lannoy

Joeri Heegstra

Britt Bakker

Charlotte De Bruyne

Bastiaan Vandendriessche

Eleonore Van Godtsenhoven

Robin Keyaert

Max Wind

Sjef van Schie

Aaron Gordon


Kunstnerisk hold

Instruktion:

Alexander Devriendt

Manuskript:

Joeri Smet, Angelo Tijssens, Karolien De Bleser og Alexander Devriets

Kostumer:

Astrid Peeters

Komponist/musik:

Johannes Genard

Design:

Nick Mattan

Scenografi:

Vormen

Dramaturgi:

Koba Ryckewaert, Zach Hatch og Julie Behaegel


Pressecitater og anmeldelser

LIES vandt en FRINGE FIRST AWARD på Edinburgh Fringe Festival i år og blev samtidig nomineret til THE TOTAL FRINGE THEATRE AWARD.

Udpluk af anmeldelser:
“ It’s the Belgian company Ontroerend Goed back at its remarkable best,
a show that simultaneously reinvents what theatre can be and triggers
our emotions in exactly the way the best theatre can do.”
***** Mark Fisher, The Scotsman
“ Under the ever-reliable direction of Alexander Devriendt, this is as
polished a performance as you will see in Edinburgh and should be on
everyone’s must-see list, especially those of politicians and bankers.”
***** Philip Fisher, British Theatre Guide
“ brilliantly designed, engaging
and beautifully presented”
**** Stewart Pringle, The Stage
“ Driving a global market to implosion, and spurring a financial
crisis that causes widespread misery and uncertainty, really
shouldn’t be this fun. Yet, the gleeful pursuit of profits in
Ontroerend
Goed’s new co-production is so satisfying you might
well forget about the consequences. ”
Chris McCormack, Exeunt Magazine
“ This is a seriously clever piece of theatre that plays you as much
as you play i t, effectively highlighting the structural problems
of modern day capitalism without ever resorting to preaching or
attempting to provide a solution other than to continue playing
the game and invest in “trust” again.”
**** Liam Rees, BroadwayBaby
“ What Ontroerend Goed has done with £¥€$ is far more powerful
than simply presenting a play about greed and corruption.
We can feel the damage done and we have no-one else to blame.
I t ’ s a lesson
for us all.”

Billeder